Marcia Jarmel

Marcia Jarmel founded PatchWorks with Ken Schneider in 1994. She has been producing and directing documentaries for over 15 years. Her best-known work is the ITVS-funded Born in the U.S.A., which aired on the PBS series Independent Lens and was hailed as the “best film on childbirth” by the former director of maternal health at the World Health Organization. The documentary has been used to educate hundreds about childbirth options, and to lobby legislators to reform midwifery laws. Nine years after its national broadcast, Born in the U.S.A. continues to engage families, communities, and health care professionals.

Marcia’s other films include Collateral Damage, a mother's lament about the human costs of war that screened worldwide in theatres, museums, festivals and schools as part of Underground Zero: Filmmakers Respond to 9/11. Her Return of Sarah’s Daughters examines the allure of Orthodox Judaism to secular young women. The hour-long documentary won a CINE Golden Eagle, National Educational Media Network Gold Apple, and 1st Place in the Jewish Video Competition. It screened on international public television, and at the American Cinematheque, International Documentary Film Festival, Women in the Director's Chair, Cinequest and numerous other film festivals. Her first film, The F Word: A short video about Feminism uses whimsical animation and interviews to foster discussion on this so-called contentious topic. Still in distribution after 15 years with Women Make Movies, The F Word screened on KQED's Living Room Festival, AFI's VideoFest, and the Judy Chicago film series at the Brooklyn Museum of Art.

Marcia’s additional credits include producing and directing films for the San Francisco World Music Festival, co-editing the Academy-award nominee, For Better or For Worse, and assistant producing the Academy Award nominees Berkeley in the Sixties and Freedom on My Mind. She was a resident at Working Films Content + Intent Doc Institute and has guest lectured at Stanford University San Francisco City College, San Francisco State University, and New York University.

Ken Schneider

Ken Schneider is producer, editor, and sound recordist for PatchWorks films. He is also an accomplished freelance editor whose credits include award-winning documentaries on a broad range of subjects, from art and literature to war and peace, immigration, disability and social justice. Ken co-edited the feature documentary Regret to Inform, winner of the Peabody Award, Indie Spirit Award and Sundance Film Festival Directing award, as well as the IDA Award for most distinctive use of archival footage. Regret also was nominated for an Academy Award and a National Emmy.

Other editing credits include Bolinao 52 about Vietnamese boat refugees; the PBS American Masters specials Orozco: Man of Fire and Ralph Ellison: An American Journey; P.O.V. special Freedom Machines, about the convergence of disability, technology and civil rights; PBS primetime special The Good War and Those Who Refused to Fight It, which aired on Martin Luther King’s birthday and won best historical documentary awards from both the American Historical Association and Organization of American Historians; PBS special and Golden Gate award-winner Store Wars: When Wal-Mart Comes to Town; Frontline's Columbia-Dupont Award winning School Colors, a look at integration and segregation 40 years after Brown v. Board of Education; and Ancestors in the Americas, Part 2: Pioneers in the American West, about the Chinese-American experience.

Ken has collaborated with Nina Wise, the dancer/performance artist; Charlie Varon, the solo theater performer; Rob Epstein and Jeffrey Friedman, Academy award-winning filmmakers, and Richard Beggs, Academy award-winning sound designer, among others. Ken has consulted on dozens of documentaries, and lectures at San Francisco City College, the San Francisco Art Institute, and New York University.

Production Credits

Marcia Jarmel
Ken Schneider

Julian Enis
Durrell Laury
Jason Patiño
Kelly Wong
Dr. Ling-chi Wang

Andy Black
Vicente Franco
Dan Krauss

Ken Schneider

Associate Producer
Lorna MacMillan

Sound Design
Richard Beggs

Original Score
Wayne Wallace
Jon Jang

Additional Music
B. Quincy Griffin

Animation & Graphics
Catherine Kelly

Graphic Design
Kelly Riggio

Consulting Producer
Janet Cole

Consulting Editors
Nathaniel Dorsky
Gary Weimberg

Writing Consultants
Laurie Coyle
Tucker Malarkey

Additional Editing
Sally Rubin

Assistant Editor
Tupac Mauricio Saavedra

Additional Camera
Michael Anderson
Jim Choi
Kevin Mogg

Location Sound
Adriano Bravo
Jim Choi
Doug Dunderdale
Josh Harris
Matty Nematollahi
Tupac Saavedra
Ken Schneider

Re-recording Mixer
Richard Beggs

Music Recording
Gary Mankin

Production Assistants
Julia Lai
Marvic Paulo
Emily Stone Wallace

Raina Glazener

Still Photography
Najib Joe Hakim

Post-Production Supervision
Ken Schneider
Lorna MacMillan

Gary Coates

Online Editors
Ben Zweig

Online Video Editing Services
Video Arts/SF

Legal Counsel
Daniel Riviera
Richard Lee

Chinese Translation
Jaden Jarmel-Schneider
Mica Jarmel-Schneider
Julia Lai
Amy Lee
Nicolas Li
Sophia Rutkin
Gary Yip

Writing in Tongues
Fana & Eyasu Aregawie
Sadiq Bouhamama
Cléo Charpantier
Connie Chong
Gabriel Onderdonk
Niko Romer
Dmitriy Smirnov
Sami & Sandra Totah
Aren Williams

Fiscal Sponsor
Center for Independent Documentary

Executive Producer for ITVS
Sally Jo Fifer

This program was produced with funding from the Corporation for Public Broadcasting and the generous support of Center for Asian American Media, Latino Public Broadcasting, Wallace Alexander Gerbode Foundation, Lawrence Choy Lowe Memorial Fund, Lenore and Howard Klein Foundation, Lucius and Eva Eastman Fund, Film Arts Foundation.

© 2009, PatchWorks Productions. All rights reserved.